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Abstract
This essay identifies a new subgenre of narrative fiction, “neuronarratives,” defined as works of fiction that incorporate advances in cognitive studies as a prominent theme, that compel novelists to struggle with consciousness as “content” and to reassess the value of narrative fiction.
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Inspired by the homonymous book by Fernando Vidal and Francisco Ortega, this timespace presents the authors' genealogy of the cerebral subject and the influence of the neurological discourse in human sciences, mental health and culture.