In the British TV miniseries Cold Lazarus (1996), scientists activate memories from Daniel Feeld’s cryogenically preserved head and project them as scenes onto a screen. As visible bodies with recognizable features, Dowell, Jan, and Feeld are their heads; as persons, they are their brains.
Inspired by the homonymous book by Fernando Vidal and Francisco Ortega, this timespace presents the authors' genealogy of the cerebral subject and the influence of the neurological discourse in human sciences, mental health and culture.